![]() It confirms a major transformation in judgments of taste in the musical field. Six classes of musical taste emerge with a limited share of dislikes and a strong age differentiation. Our analysis tests the “tablatures” of musical likes, dislikes and indifferences hypothesis within the French population through a factor and classification analysis method. In doing this, the article utilises a ‘tablature of tastes’ model which infers the incommensurability of musical genres and taste judgments no longer based on “rejections/dislikes” but rather on “openness/tolerance” or “indifference/ignorance”. In reference to the 2008 statistical survey on French cultural practices and tastes, this article challenges conventional understandings of the taste patterns informing music consumption in contemporary France. Changes in taste judgements in multicultural societies problematise the understanding and representation of the structuration of tastes. Peterson challenged the model showing the eclectism and the mix of classical and popular genres among the tastes of elite. The distinction model asserts a hierarchical classification of tastes and genre and an aesthetic judgment based on rejection.
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